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Delalande, François

Le paradigme électroacoustique


Tuesday 19 July 2005, by Pierre Couprie

All the versions of this article: [English] [français]

François Delalande analyses the history of electroacoustic music through the idea of paradigm (from the scientist historian Thomas S. Kuhn). The electroacoustic is the third paradigm of music alongside the paradigms of oral tradition and writing. This article contains 7 parts:

  1. Briefly mentioned: schools and labels
  2. Electroacoustic music within the historical continuum
  3. The jump due to recording media
  4. Oral tradition, writing, electroacoustic music: three "technological paradigms" of production-conservation-transmission
  5. Where is the electroacoustic borderline?
  6. Electroacoustic music within today’s music
  7. Essay with definitions
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