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Chion, Michel

Une ontologie de la musique concrète

1986a

Wednesday 20 July 2005, by Pierre Couprie

All the versions of this article: [English] [français]

The author analyses the characteristics of musique concrète in two parts: €˜musique concrète always exists’ and €˜ten commandments for musique concrète’. The first part explores special questions: its relation with concrete sound, the anecdote and anecdotal music, the role of recording, figurative, the term, electroacoustic. The second part contains ten ideas to guide the practice of musique concrète.

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