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Savouret, Alain

Nouvel article

2000

Bourges Academy: Time in Electroacoustic Music. Bourges: Acteon-Mnemosyne: 177-181.

The author analyses the perception of time in the electroacoustic music sub-genre, phonography. He defines phonography including remarks that it possesses the real duration, homogeneity of contents, immediate intelligibility and different techniques than those associated with journalistic recording and suggests that phonography focuses on two qualities: originality and causality of temporal matter.

Friday 22 July 2005, by Pierre Couprie