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Georgaki, Anastasía

À la recherche de la voix-Protée: penser la voix de synthèse aujourd’hui


Journées d’Informatique Musicale. Issy-Les-Moulineaux: CEMAMu: 97-108.

The author describes scientific and musical models of computer voice synthesis in five sections:
- Scientifical and musical introduction of voice synthesis through the four causal models of Aristotle
- The different models of vocal synthesis and their use in musical works by Chowning, Harvey and Manoury
- How composers produce the synthesised voice and what is its form?
- What is the final reason to use voice synthesis as far as scientists and composers are concerned?
- The finale objective: simulate vocal sounds and create new sounds. The author outlines some ideas for a voice synthesizer.

View online : http://www.ai.univ-paris8.fr/%7Ejim99/actes_pdf/GeorgakiJIM99.pdf

Friday 22 July 2005, by Pierre Couprie

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