Home > Bibliography > Bibliography (English) > JIM > 2002 > De la phonographie à la lutherie numérique. L’épiphanie du son (...)

Battier, Marc

De la phonographie àla lutherie numérique. L’épiphanie du son artificiel


Wednesday 27 July 2005, by Pierre Couprie

All the versions of this article: [English] [français]

The author analyses the relationships between the electroacoustic instrument and the composer. Through various examples of electric instruments (Onde martenot, Theremin, etc.) and computer music experimentation, he details how composers have used artificial sound and how synthesised sound can become a part of musical instrument.

View online : http://perso.orange.fr/gmem/evenements/jim2002/articles/L01_Battier.pdf

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