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Battier, Marc

De la phonographie à la lutherie numérique. L’épiphanie du son artificiel

2002a

Journées d’Informatique Musicale. Marseille: JIM.

The author analyses the relationships between the electroacoustic instrument and the composer. Through various examples of electric instruments (Onde martenot, Theremin, etc.) and computer music experimentation, he details how composers have used artificial sound and how synthesised sound can become a part of musical instrument.

View online : http://perso.orange.fr/gmem/evenements/jim2002/articles/L01_Battier.pdf

Wednesday 27 July 2005, by Pierre Couprie

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