Home > Bibliography > Bibliography (English) > Demeter (2002-) > La partition, le phonographe et l’échantillonneur : usages de la (...)

Tiffon, Vincent

La partition, le phonographe et l’échantillonneur : usages de la copie en musique

2003

Wednesday 27 July 2005, by Pierre Couprie

All the versions of this article: [English] [français]

The author studies the notion of the copy in instrumental and electroacoustic music: copying as an illegal practice, copy as compositional method (quotation, reference, pastiche, repeat), copy within digital media. The last part is focused on a history of sampling through the new concept of the sound object in 1948.

View online : http://www.univ-lille3.fr/revues/demeter/copie/tiffon.pdf

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