Home > Bibliography > Bibliography (English) > Electroacoustic Music: Analytical Perspectives > Serial Composition, Serial Form, and Process in Karlheinz Stockhausen’s

Kohl, Jerome

Serial Composition, Serial Form, and Process in Karlheinz Stockhausen’s {Telemusik}

2002

Monday 19 December 2005, by Rob Weale

In this chapter, the author presents a detailed structural, poietic (production-based) analysis of Karlheinz Stockhausen’s, Telemusik (1966). He is particularly interested in investigating the role of serialism in Stockhausen’s frame of thinking. Also included is an extract of a 1968 interview with Stockhausen in which he discusses the circumstances surrounding the origin of Telemusik and some of his philosophical, aesthetic, and technical ideas.

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