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Théberge, Paul

“Ethnic Sounds”: The Economy and Discourse of World Music Sampling

2003

Tuesday 17 January 2006, by Rob Weale

In this chapter, the author explores what appear to be some of the most resilient discourses around world music, and the manner in which they promote and even justify the technological appropriation of it; specifically, the fetishisation of musical sounds that has taken place since the rise of sampling in popular music.

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