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Richard, Dominique

The Beast’s Glove: The Tactile and the Digital in Computer Music

1997a

Friday 3 February 2006, by Rob Weale

In this brief paper, the author argues that in order to further our understanding of the relationship between music and technology we must avoid a perspective that leads to a schism between traditional music (the result of a disciplined human expression) and computer music (whose outcome is simply technologically determined). He contextualises his argument through the concept of the digital and the tactile suggested by Deleuze.

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