Home > Bibliography > Bibliography (English) > Contemporary Music Review (1984-) > Vol. 24, No. 4/5. 2005 > Mutation and Processuality in the Musical Thought of Horacio (...)

Criton, Pascale

Mutation and Processuality in the Musical Thought of Horacio Vaggione

2005

Monday 20 March 2006, by Rob Weale

In this article, the author attempts to expose the axes that play a determining role in Horacio Vaggione’s musical and theoretical plan. A group of choices prevails in the construction of a paradigmatic field: from scientific references about ‘complexity’ to the renewed wagers of musical informatics and acoustics. The energetic, temporal and transformational factors that contribute to the development of a dispositif of thought are highlighted with the following characteristic aspects: spatio-temporal interplay; an energetic viewpoint; ‘action-perception’ reciprocity; axiomatics; the intensive field of timbre; an approach to differentiation; processuality and mutation; a listening proposition; and an ontological position.

View online : http://www.tandf.co.uk/journals/titles/07494467.asp

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