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Bossis, Bruno

L’intervocalité ou les avatars de la voix dans le matériau sonore

2005d

Montréal: CIM05.

From Julia Kristeva’s intertextuality theory, the author develops the notion of “intervocalité”. The artificial voice is born through the melange of voice and machine. It becomes a new type of voice, separate from the body, with a focus on its transformations. The theory of “intervocalité” explains the relationships between the real voice and its avatars, the musicologist analyses these relations as a continuum.

View online : http://www.oicm.umontreal.ca/cim05/cim05_articles/BOSSIS_B_CIM05.pdf

Tuesday 28 March 2006, by Pierre Couprie

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