Home > Bibliography > Bibliography (English) > Inharmoniques (1986-) > No. 1. 1986 > Mutation de l’√©criture : √‰clat, Stria, D√©sint√©grations

Schœller, Philippe

Mutation de l’√©criture : {√‰clat, Stria, D√©sint√©grations}


Tuesday 28 March 2006, by Pierre Couprie

All the versions of this article: [English] [français]

This article proposes a comparative analysis of three works through the notion of resonance. In √‰clat (1964) for orchestra, the composer Pierre Boulez works on the gesture percussion/resonance. The second work, Stria (1977) by John Chowning for tape, develops the notion of resonance inside the sound. In the third piece, D√©sint√©grations (1983) for orchestra and tape, Tristan Murail works with a sort of spectral resonance on magnetic tape, where the instruments filter the sound of tape.

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