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Maillard, Benedict

Un studio numérique de travail sur le son

1981

Le compositeur et l’ordinateur. Paris: IRCAM/Centre Georges Pompidou: 38-45.

The author discusses the digital music studio of the Groupe de Recherches Musicales (GRM). Through the musical and sonic ideas of composers, he details the different devices, their role in compositional processes, their place in the studio, and the differences/relationships between real-time and deferred-time.

Tuesday 28 March 2006, by Pierre Couprie

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