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Bayle, François



Cahiers recherche/musique, no. 2. Paris: INA-GRM: 13-17.

The author analyses the qualities and presents his criticism of the Traité des objets musicaux. The qualities include the daring creation of a typology and morphological characterisation, the influence of phenomenology, and his avoidance of machines that participate in artistic thinking. His criticisms concern the enigmatic and incomplete aspects of Schaeffer’s theory and the lack of clarity concerning towards whom it is adressed.

Tuesday 28 March 2006, by Pierre Couprie

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