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Waisvisz, Michel

Riding the Sphinx - Lines about ’Live’


Contemporary Music Review. Vol. 18, No. 3: London: Harwood: 119-126.

In this article, the author discusses various aspects of live electronic music performance, in particular, physical gesture and audience feedback. He also poses questions concerning interactivity, and discusses the relationship between the instrument and the composer as a result of live performance on stage.

View online : http://www.tandf.co.uk/journals/titles/07494467.asp

Wednesday 31 May 2006, by Rob Weale