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Ungeheuer, Elena

From the Elements to the Continuum: Timbre Composition in Early Electronic Music

1994

Contemporary Music Review. Vol. 10, No. 2: London: Harwood: 25-33.

In this article, the author discusses the process of creating a continuous change of timbre, a process that can be found all over the landscape of electronic composing. She exemplifies her discussion with references to the work of Karlheinz Stockhausen and Gottfried Michael Koenig in the 1950s.

View online : http://www.tandf.co.uk/journals/titles/07494467.asp

Wednesday 31 May 2006, by Rob Weale