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Hannemann, Beate

Tod dem Mondschein (Death of the moonlight)

1999

Thursday 17 August 2006, by Rob Weale

All the versions of this article: [Deutsch] [English]

The theme of this article is the early phase of Italian Futurism (1909-1915). Futurism’s founder, F. Marinetti is introduced alongside conceptual foundation and artistic declarations found in the futurist Manifestos. The influence of Futurism on 20th century music, particularly ‘New Music’ and the avant-garde, forms a focus. Futurist works and Futurist-influenced composers are briefly analysed.

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