Home > Bibliography > Bibliography (English) > Musica Falsa > No. 8. 1999 > L’imagination matérielle dans les musique concrètes. Patchwork, le (...)

Thomas, Jean-Christophe

L’imagination matérielle dans les musique concrètes. Patchwork, le retour (III)

1999

Tuesday 29 August 2006, by Pierre Couprie

All the versions of this article: [English] [français]

This paper is the third part of Avant-propos du langage des objets au langage des choses, deux mots sur la révolution baylienne: first part, second part.

Using an example of Frankenstein Symphony by Francis Dhomont, the author explains the role of collage in electroacoustic music. He analyses the disparate structure of this work and concludes with the suggestion that all things have some kind of a form.

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