Musica Falsa: No. 18. Paris: Musica Falsa: 68-71.
The music of Luigi Nono contains semantic relationships between its various musical or textual elements. The author analyses these relationships in one of the last pieces by the composer: Quando stanno morendo (1982) for 2 sopranos, mezzo-soprano, contralto, bass flute, violoncello and live electronics. In this work, Nono, through his use of live electronics, creates a live text within a multidimensional sound world