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Elliot, Kevin

A Behavioural or Actor-Based Paradigm of Sound Production and Studio Composition

1993

In Proceedings of the 1993 International Computer Music Conference – Tokyo. San Francisco, CA: ICMA: 176-179.

In this brief paper, the author offers his thoughts on the new possibilities and demands for sound creation, composition and music production that the emerging digital culture of high-bandwidth connectivity would create. He gives particular focus to the potential shift towards non-linear forms and methods.

View online : http://www.computermusic.org

Friday 26 January 2007, by Rob Weale