Home > Bibliography > Bibliography (English) > Interface / Journal of New Music Research (1972-) > Vol. 22, No. 4. 1993 > Defining Transformations
The author presents different categories of transformations. He defines each of the sound transformations through two criteria: identities and distance from untransformed sound. He based his demonstration on several examples from works by Chowning, Harvey, Reich, Risset, Saariaho, Truax, Vaggione, Viñao and Wishart.
Sections
- Glossary
-
Bibliography
- Bibliography (English)
- Aesthetics and Electroacoustic Music. Bourges: Mnemosyne.1995.
- Analyse et création musicales, Actes du Troisième Congres Européen (...)
- Analyse musicale (l’) (1986-2002)
- Analysis in Electroacoustic Music. Bourges:Mnemosyne.1996.
- Analytical Methods of Electroacoustic Music
- ARiADAtexts - Advanced Research in Aesthetics in the Digital (...)
- Ars Sonora (1995-1999)
- Association for Computing Machinery (ACM) Computing Surveys
- Audio Culture: Readings in Modern Music
- Avidi Lumi (2001-)
- Bourges Academy: Electroacoustic Music: Reflections and prospects
- Bourges Academy: Time in Electroacoustic Music
- Cahier de l’ACME (1996-)
- Cahiers de l’IRCAM (les) (1992-)
- Cahiers de l’OMF (les) (1999-)
- Cahiers du cinéma (les) (1960-)
- Cahiers du CIREM (les) (1992)
- Cahiers Recherche/Musique (1976-1977)
- CIM (Colloque Interdisciplinaire de Musicologie)
- Circuit (1993-)
- Companion to Contemporary Musical Thought: Volume 1
- Composer
- Composers and the Computer. 1985
- Computer Music Journal (1977-)
- Contact
- Contact!
- Contemporary Music Review (1984-)
- Contrechamps
- Convergence (1995 - )
- Demeter (2002-)
- Diffusion
- Dissonance
- Dossiers de l’ingénierie éducative (les)
- Du sonore au musical. Cinquante années de recherches concrète (...)
- eContact!
- Écouter Voir
- Education Musicale (l’)
- Electroacoustic Music: Analytical Perspectives
- EMAS - Journal of the Electroacoustic Music Association of Great Britain (...)
- EMS-Network
- EMS06
- Entretemps
- Espace du son (l’)
- Espaces sonore. Actes de recherches
- Esprit
- Esthétique des arts médiatiques
- Faire
- Filigrane
- GAM (Bulletin du Groupe d’Acoustique Musicale)
- Gravesaner Blätter (1955-66)
- Inharmoniques (1986-)
- Inouï (l’)
- Interface / Journal of New Music Research (1972-)
- Vol. 1, No. 2. 1972
- Vol. 2, No. 1. 1973
- Vol. 2, No. 2. 1973
- Vol. 3, No. 2. 1974
- Vol. 6, No. 1. 1977
- Vol. 7, No. 4. 1988
- Vol. 8, No. 1. 1979
- Vol. 8, No. 3. 1979
- Vol. 9, No. 1. 1980
- Vol. 9, No. 2. 1980
- Vol. 9, Nos. 3-4. 1980
- Vol. 10, Nos. 3-4. 1981
- Vol. 13, No. 4. 1985
- Vol. 14, Nos. 3-4. 1985
- Vol. 16, No. 2. 1977
- Vol. 16, No. 3. 1987
- Vol. 16, No. 4. 1987
- Vol. 20, No. 2. 1991
- Vol. 20, Nos. 3-4. 1991
- Vol. 21, No. 1. 1992
- Vol. 21, No. 2. 1992
- Vol. 22, No. 1. 1993
- Vol. 22, No. 3. 1993
- Vol. 22, No. 4. 1993
- Vol. 23, No. 3. 1994
- Vol. 24, No. 1. 1995
- Vol. 24, No. 2. 1995
- Vol. 24, No. 4. 1995
- Vol. 25, No. 1. 1996
- Vol. 25, No. 3. 1996
- Vol. 26, No. 1. 1997
- Vol. 27, Nos. 1-2. 1998
- Vol. 29, No. 1. 2000
- Vol. 29, No. 2. 2000
- Vol. 30, No. 4. 2001
- Vol. 31, No. 1. 2002
- Vol. 31, No. 2. 2002
- Vol. 31, No. 4. 2002
- Vol. 32, No. 3. 2003
- Vol. 32, No. 4. 2003
- Vol. 33, No. 2. 2004
- Vol. 33, No. 3. 2004
- Interfaces homme-machine et création musicale. 1999
- International Computer Music Conference – Proceedings (...)
- JIM
- Journal of Electroacoustic Music (formerly EMAS) (1984 - 2003)
- Journal of Music Theory (1957-)
- Journal of Music, Technology and Education
- Keyboard
- KlangArt Kongreß Proceedings
- KlangForschung ’98: Symposium zur elektronischen (...)
- Klangkunst: Tönende Objekte und klingende Räume
- La musique électroacoustique: un bilan
- Latinoamérica Música
- Le compositeur et l’ordinateur
- Leonardo (1968-)
- Leonardo Music Journal (1991-)
- Les nouveaux gestes de la musique. 1999
- Les universaux en musique. 1998
- Lien, François Bayle parcours d’un compositeur. (...)
- Lien: Analyse perceptive des musiques électroacoustique
- Lyre
- L’espace: Musique/Philosophie
- Marsyas
- MAXIS Symposium Proceedings
- Méthodes nouvelles, musiques nouvelles
- Modulations: A History of Electronic Music
- Music and Technoculture
- Music Education Research
- Music Theory Online
- Music, Arts, Technologies, Toward a Critical Approach. 2004
- Music, Electronic Media and Culture
- Musica
- Musica Falsa
- Música y nuevas tecnologÃas: Perspectivas para el siglo XXI/Music and New (...)
- Musica/RealitÃ
- Musical Signal Processing
- Musicus (1989-1999)
- Musicworks (1978-)
- Musik & Bildung
- Musique en jeu
- Musique en projet. 1975
- Musique, instruments, machines
- Musiques nouvelles : sons en mutation
- Musiques. Une encyclopédie pour le XXIe siècle
- Musurgia
- Neue Zeitschrift für Musik (1834-)
- New Interfaces for Musical Expression (NIME) - Proceedings (2001-)
- New Sound
- On the Wires of Our Nerves: The Art of Electroacoustic Music
- Open Space Magazine
- Organised Sound (1996-)
- Ouïr, entendre, écouter, comprendre après Schaeffer
- Pauta. Cuadernos de teorÃa y crÃtica musical
- Perspectives of New Music (1962-)
- Pionniers et précurseurs. OLATS
- Popular Music
- Portraits Polychromes
- Positionen (1988-)
- Presences of Iannis Xenakis
- Programme Bulletin GRM
- Quoi? Quand? Comment? La recherche musicale
- Recorded Sound (1961-)
- Representations of Musical Signals
- Résonance
- Revista Musical Chilena
- Revue Musicale (la)
- Science et Vie
- Sons et lumières. Une histoire du son dans l’art du XXe (...)
- Soundscape: The Journal of Acoustic Ecology (2000-)
- Structure Musicales et Assistance Informatique. 1989
- The Book of Music & Nature
- The Development and Practice of Electronic Music
- The Development and Practice of Electronic Music
- The Wire
- Trends in Gestural Control of Music
- UNESCO Digi-Arts
- Vers un art acousmatique
- VH 101
- Webradio (GRM)
- World of Music (The)
- Bibliography (French)
- Bibliography (German)
- Bibliography (Italian)
- Bibliography (Portuguese)
- Bibliography (Spanish)
- Bibliography (English)
- UNESCO (Links)
- Other
RSS 2.0