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VIDOLIN, Alvise, POLO, Nicoletta

Bollettino del Laboratorio permanente per l’Informatica Musicale della Biennale (LIMB) (Review of the Permanent Laboratory for Computer Music of the Biennale (LIMB))

1981

Laboratorio per l’Informatica Musicale della Biennale in collaborazione con il C.S.C dell’Università di Padova, Venezia, La Biennale di Venezia.

The “Bollettino del Laboratorio permanente per l’Informatica Musicale della Biennale” (LIMB, Review of the Permanent Laboratory for Computer Music of the Biennale, whose activity lasted from 1980 to 1986) was conceived to communicate the results that the dialogue between new technologies and musical composition was developing. This first number of the Bollettino contains an introduction by Alvise Vidolin of the activity and the purposes of the laboratory (musical production, pedagogy, research and archiving), created with the collaboration of the Venice Biennale and the CSC (Centro di Sonologia Computazionale dell’Università di Padova).

Table of contents

Premise (Mario Messinis)
Introduction (Alvise Vidolin)
Digital synthesis techniques for music (Giovanni De Poli)
Digital analysis of musical sounds (Graziano Tisato)
Theoretical principles for the composition of Conditional Assemblies (James Dashow)
The Silent God (Mauro Graziani)
Astrazioni: thoughts on computer music composition (Hubert H. Howe)
Progetto secondo, 1980 (Fausto Razzi)
Appendix I: LPs, audio tapes and books on electronic music at ASAC
Appendix II: Astrazioni: musical score

Monday 21 January 2008, by Rob Weale

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