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Dupont, Maÿlis

Pour une écoute critique : l’émergence de la musique


Jean-Claude Risset, Portraits Polychromes. Paris: INA-GRM/CDMC.

Like Daniel Teruggi (Après une écoute de Sud), Maÿlis Dupont presents her listening experience of Sud (Jean-Claude Risset). However, the difference with the Teruggi article has to do with structural listening: of course she hears sound objects, but she also hears the structural relations between the sounds as well as between a sound and its numerous transformations. Her analysis is completed with a graphic representation of the work’s beginning.

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Monday 14 March 2005, by Pierre Couprie

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