Home > Bibliography > Bibliography (English) > Cahiers de l’IRCAM (les) (1992-) > No. 2. 1993 > La maîtrise de la synthèse sonore

Eckel, Gerhard

La maîtrise de la synthèse sonore

1993

Thursday 28 April 2005, by Pierre Couprie

All the versions of this article: [English] [français]

The author discusses the relationships between synthesis techniques and the musical language of composers suggesting that sound synthesis is a result of composers’ ideas. He analyses various sonic models of synthesis and demonstrates their use through selected composition examples. At the end of this article, the author presents several synthesis systems.

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