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Battier, Marc

Une nouvelle géométrie du son. Le paradoxe de la lutherie électronique

1995a

Les cahiers de l’IRCAM: recherche et musique, No. 7. Paris: IRCAM/Centre Georges-Pompidou: 43-56.

Marc Battier analyses the relationships between new electronic instruments, the new possibilities they offer composers, and their commercial applications. This article is written in three parts: the recording and the first electric instruments, electro-mechanic and electroacoustic instruments and computer: hyper-instrument or network?

Sunday 15 May 2005, by Pierre Couprie

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