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Bevelander, Brian

Observations on Live Electronics

1991

Contemporary Music Review: Live Electronics, Vol. 6, No. 1. London: Harwood Academic Publishers: 151-157.

The author explains why composers choose live electronics as a means of music-making: how technical requirements link with musical parameters, what is going in electroacoustic music in Midwest and future trends.

Sunday 15 May 2005, by Pierre Couprie