Home > Bibliography > Bibliography (English) > Perspectives of New Music (1962-) > Vol. 36, No. 2. 1998 > Compositional Models in Xenakis’s Electroacoustic Music

Di Scipio, Agostino

Compositional Models in Xenakis’s Electroacoustic Music

1998

Monday 13 June 2005, by Pierre Couprie

The author analyses several electroacoustic works of Iannis Xenakis (Concret PH, Analogique A-B, La Légende d’Eer, Mycenae-Alpha, Gendy301 and S709) with three models: of sound material, of musical articulation and of control structure. He demonstrates how Xenakis creates a theory of sound in his electroacoustic works in the same manner as his theory of music applied in his instrumental works.

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