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Jacob, Bruce L.

Algorithmic Composition as a Model of Creativity


Organised Sound: Vol. 1, no. 3. Cambridge: Cambridge University Press: 157-165.

This article makes a case for algorithmic composition as a compositional tool. The ‘hard work’ type of creativity often involves trying many different combinations and choosing one over the others. It seems natural to express this iterative task as a computer algorithm. The implementation issues can be reduced to two components: how to understand one’s own creative process well enough to reproduce it as an algorithm, and how to program a computer to differentiate between ‘good’ and ‘bad’ music. The philosophical issues reduce to the question: who or what is responsible for the music produced.

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Thursday 7 July 2005, by Leigh Landy