Home > Bibliography > Bibliography (English) > Organised Sound (1996-) > Vol. 2, No. 2. 1997 > Spectromorphology: Explaining sound-shapes

Smalley, Denis

Spectromorphology: Explaining sound-shapes

1997

Organised Sound: Vol. 2, no. 2. Cambridge: Cambridge University Press: 107-126.

The art of music is no longer limited to the sounding models of instruments and voices. Electroacoustic music opens access to all sounds, a bewildering sonic array ranging from the real to the surreal and beyond. For listeners the traditional links with physical sound-making are frequently ruptured: electroacoustic sound-shapes and qualities frequently do not indicate known sources and causes. Gone are the familiar articulations of instruments and vocal utterance: gone is the stability of note and interval: gone too is the reference of beat and metre. Composers also have problems: how to cut an aesthetic path and discover a stability in a wide-open sound world, how to develop appropriate sound-making methods, how to select technologies and software. This article is also available in French (1995b) and Italian (1996).

View online : http://journals.cambridge.org/jid_OSO

Friday 8 July 2005, by Leigh Landy