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Ferraz, Silvio, Aldrovandi, Leonardo

Loop-interpolation-random & Gesture: Déjà vu in computer-aided composition


Organised Sound: Vol. 5, no. 2. Cambridge: Cambridge University Press: 81-84.

Starting from a distinction between music creation and sound or pre-established methods of form and sound manipulation, this article discusses the use of some typical procedures in computer-aided composition. A critique of common-sense procedures sets out to show that musical creativity may be threatened and put at risk in the name of a community’s immediate acceptance of what is considered to be of musical value.

View online : http://journals.cambridge.org/jid_OSO

Monday 11 July 2005, by Leigh Landy