Home > Bibliography > Bibliography (English) > Organised Sound (1996-) > Vol. 5, No. 2. 2000 > Social and Perceptual Processes in the Installation The Trade

Keller, Damián, Capasso, Ariadna

Social and Perceptual Processes in the Installation The Trade

2000

Organised Sound: Vol. 5, no. 2. Cambridge: Cambridge University Press: 85-94.

Through a discussion of the installation piece, The Trade / Oro por Baratijas, the authors address the theoretical issues behind the development of ecologically based compositional work. They discuss whether ecologically based music can be studied using linguistic tools. A process that describes the relationship between an individual and his specific social context is proposed: the personal environment. Consistency is discussed in relation to environmental sound listening processes and ecological modelling work. The first part of the paper concludes by suggesting that form-creation is dynamically determined by a process of mutual adaptation between listener and environment. The second part focuses on compositional methods and contextual elements as they are used in The Trade.

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Monday 11 July 2005, by Leigh Landy