Home > Bibliography > Bibliography (English) > Organised Sound (1996-) > Vol. 6, No. 2. 2001 > A MutaSynth in Parameter Space: Interactive composition through (...)
Dahlstedt, Palle
A MutaSynth in Parameter Space: Interactive composition through evolution
2001
Organised Sound: Vol. 6, no. 2. Cambridge: Cambridge University Press: 121-124.
This article discusses a few questions concerning the use of generative processes in composition and automatic music creation. The author discusses the problems involved, focusing on the use of interactivity, and describes the use of interactive evolution as a way of introducing interactivity in composition. The installation MutaSynth is presented as an implementation of this idea.
View online : http://journals.cambridge.org/jid_OSO
Monday 11 July 2005, by Leigh Landy
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Bibliography
- Bibliography (English)
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- Analyse et création musicales, Actes du Troisième Congres Européen (...)
- Analyse musicale (l’) (1986-2002)
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- Analytical Methods of Electroacoustic Music
- ARiADAtexts - Advanced Research in Aesthetics in the Digital (...)
- Ars Sonora (1995-1999)
- Association for Computing Machinery (ACM) Computing Surveys
- Audio Culture: Readings in Modern Music
- Avidi Lumi (2001-)
- Bourges Academy: Electroacoustic Music: Reflections and prospects
- Bourges Academy: Time in Electroacoustic Music
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- Cahiers de l’IRCAM (les) (1992-)
- Cahiers de l’OMF (les) (1999-)
- Cahiers du cinéma (les) (1960-)
- Cahiers du CIREM (les) (1992)
- Cahiers Recherche/Musique (1976-1977)
- CIM (Colloque Interdisciplinaire de Musicologie)
- Circuit (1993-)
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- Composer
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- Computer Music Journal (1977-)
- Contact
- Contact!
- Contemporary Music Review (1984-)
- Contrechamps
- Convergence (1995 - )
- Demeter (2002-)
- Diffusion
- Dissonance
- Dossiers de l’ingénierie éducative (les)
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- eContact!
- Écouter Voir
- Education Musicale (l’)
- Electroacoustic Music: Analytical Perspectives
- EMAS - Journal of the Electroacoustic Music Association of Great Britain (...)
- EMS-Network
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- Espaces sonore. Actes de recherches
- Esprit
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- GAM (Bulletin du Groupe d’Acoustique Musicale)
- Gravesaner Blätter (1955-66)
- Inharmoniques (1986-)
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- Journal of Electroacoustic Music (formerly EMAS) (1984 - 2003)
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- Journal of Music, Technology and Education
- Keyboard
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- Le compositeur et l’ordinateur
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- Les universaux en musique. 1998
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- L’espace: Musique/Philosophie
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- Music and Technoculture
- Music Education Research
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- Music, Electronic Media and Culture
- Musica
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- Música y nuevas tecnologías: Perspectivas para el siglo XXI/Music and New (...)
- Musica/Realità
- Musical Signal Processing
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- Musicworks (1978-)
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- Musique en jeu
- Musique en projet. 1975
- Musique, instruments, machines
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- Musurgia
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- New Interfaces for Musical Expression (NIME) - Proceedings (2001-)
- New Sound
- On the Wires of Our Nerves: The Art of Electroacoustic Music
- Open Space Magazine
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- Ouïr, entendre, écouter, comprendre après Schaeffer
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- Sons et lumières. Une histoire du son dans l’art du XXe (...)
- Soundscape: The Journal of Acoustic Ecology (2000-)
- Structure Musicales et Assistance Informatique. 1989
- The Book of Music & Nature
- The Development and Practice of Electronic Music
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- Trends in Gestural Control of Music
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- Bibliography (French)
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Also in this section
- General Sound Classification and Similarity in MPEG-7
- Interpolator: A two-dimensional graphic interpolation system for the simultaneous control of digital signal processing parameters
- Composing for an Ensemble of Atoms: The metamorphosis of scientific experiment into music
- Separation Anxiety: Metaphoric transmutations from a paradoxical biological instrument, or: What is a cactus doing in our concert hall?
- A MutaSynth in Parameter Space: Interactive composition through evolution
- Cyberspace Memes
- Music Negotiation: Routes in user-based description of music
- Networked Music: Bridging real and virtual space
- New Spaces/New Places: a Sound House for the performance of electroacoustic music and sonic art
- Caveats from a Dyed-in-the-wool Futurist
