Home > Bibliography > Bibliography (English) > Organised Sound (1996-) > Vol. 6, No. 2. 2001 > A MutaSynth in Parameter Space: Interactive composition through (...)
Dahlstedt, Palle
A MutaSynth in Parameter Space: Interactive composition through evolution
2001
Monday 11 July 2005, by Leigh Landy
This article discusses a few questions concerning the use of generative processes in composition and automatic music creation. The author discusses the problems involved, focusing on the use of interactivity, and describes the use of interactive evolution as a way of introducing interactivity in composition. The installation MutaSynth is presented as an implementation of this idea.
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- Analyse et création musicales, Actes du Troisième Congres Européen (...)
- Analyse musicale (l’) (1986-2002)
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- Analytical Methods of Electroacoustic Music
- ARiADAtexts - Advanced Research in Aesthetics in the Digital (...)
- Ars Sonora (1995-1999)
- Association for Computing Machinery (ACM) Computing Surveys
- Audio Culture: Readings in Modern Music
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- Cahier de l’ACME (1996-)
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- Circuit (1993-)
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- Computer Music Journal (1977-)
- Contact
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- Contemporary Music Review (1984-)
- Contrechamps
- Convergence (1995 - )
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Also in this section
- General Sound Classification and Similarity in MPEG-7
- Interpolator: A two-dimensional graphic interpolation system for the simultaneous control of digital signal processing parameters
- Composing for an Ensemble of Atoms: The metamorphosis of scientific experiment into music
- Separation Anxiety: Metaphoric transmutations from a paradoxical biological instrument, or: What is a cactus doing in our concert hall?
- A MutaSynth in Parameter Space: Interactive composition through evolution
- Cyberspace Memes
- Music Negotiation: Routes in user-based description of music
- Networked Music: Bridging real and virtual space
- New Spaces/New Places: a Sound House for the performance of electroacoustic music and sonic art
- Caveats from a Dyed-in-the-wool Futurist
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