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Truax, Barry

Homoeroticism and Electroacoustic Music: Absence and Personal Voice

2003

Organised Sound: Vol. 8 no. 1. Cambridge: Cambridge University Press: 117-124.

The absence of gay themes and homoeroticism in electroacoustic music is discussed within the context of issues of gender and music that have been raised in the last decade. The author’s emerging body of work that deals with these issues suggests possible uses of voice, text, video and music theatre within an electroacoustic language to portray sexuality and desire.

View online : http://journals.cambridge.org/jid_OSO

Wednesday 13 July 2005, by Leigh Landy